Sometimes this is because the text itself is a lie—because, as a writer, you're lying. A more difficult question, though, was how to create a soundscape, a radiophonic voice and texture that furthered that intimacy. Radio personalities, with their practiced vocal modulations and cadences, often seem to skirt the edge of condescension. So I turned to music of another sort, aural pleasures lend an ear composition by the great composer and accordionist, Pauline Oliveros. But sometimes it's because the media is bending your text into something it was never intended to be.
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Lend Us Your Ears: What Shall We Listen to Next?
Leave a Reply Cancel reply Your email address will not be published. I had tried it and could not stand the narration style, so I abandoned it after about 20 minutes of listening. His comic timing is a joy. Or any other Terry Pratchett. Even if music sometimes feels like cheating.
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I listened to my first audiobook of L. And so I kept searching. Pauline Oliveros makes recordings in hyper-resonant locales—caves, cathedrals, underground cisterns. My Heart With You.